COMING IN, 2021

Columbia Road

COMING IN

Davy Pittoors presents an immersive exhibition exploring queerness in the home, inspired by the domestic realm of 19th-century aesthetes Charles Ricketts and Charles Shannon.​

Contemporaries of Oscar Wilde - who described their homes as ‘the one place in London where you will never be bored’ - Ricketts’ and Shannon’s domestic life was built around an appreciation of art, partnership and community, providing fertile ground for queer intimacy among their set.

COMING IN reimagines Ricketts' and Shannon’s ethos, bringing together a diverse range of artists, makers and businesses to explore the multi-faceted relationship between sexuality, domesticity, aesthetics, collecting and consuming.

Artists and Events

Highlights of the show include new terracotta pieces by Sid Henderson, Kavel Rafferty’s ‘Queer Flower’ work, Peter Ibruegger’s watercolours, Will Martin’s urns and ceramics, Robin Bray-Hurren’s ‘Law Quilt’, Trey Hurst’s ‘Wood Block’, and Radek Husak’s cyanotypes.

Featured alongside these works will be books curated by Room & Book, antiques and scented candles by Dorian Caffot de Fawes and hand-painted lampshades by Alvaro Picardo.

The space will also host events throughout the week, including Rachael House’s ‘Queer Voices’ workshop, a preview of Owen Duff’s queer concept album ‘bed’,  life drawing hosted by Miles Coote, ‘Pride is a Protest’ flagmaking with Jack Ravi, and an urban beekeeping and honey tasting workshop with Pearly Queen Honey. The show culminated with a closing dinner by Will Martin, serving family recipes in his handmade bowls.

 

Closing Dinner

“For me, cooking and eating together is an important part of my identity and an extension of my practice. Relational aesthetics through nice times and tableware. This meal combines the comfort foods of childhood, with the collaborative process of making a queer home life in London. It is informed by my memories of growing up in Cape Town, as well my weekends spent with my partners in London.”
- Will Martin

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Pickled Fish

This technique for pickling fish differs from that in northern Europe as we roll the sliced fish in seasoned flour to help remove moisture and then shallow fry until cooked through and golden. You cook the pickling liquid too, by sweating onions with ground cumin, coriander and turmeric, adding grated ginger and sliced garlic. Add a can of halved apricots with juice for sweetness, and finish it off with red wine vinegar and a bayleaf. Letting this simmer removes some of the acridity of the vinegar, and lets you adjust the seasoning with more salt, pepper or sugar. Cover the fried fish with the hot vinegar mixture and let cool before putting it in the fridge. This is best made 3 days ahead, but the night before is perfectly acceptable. For the Coming In closing dinner, I served a portion of fish with a halved apricot on thin slices of thickly buttered rye bread, but it would be equality delicious as a heaped portion in a bowl with some crusty white bread chunks on the side.

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Cape Malay Chicken Curry

Our main had a similar flavour base to the pickled fish, with all that cumin, coriander and turmeric fried in onion, but differs in its use of whole woody spices. I like to season and brown the chicken first (skin on, bone in) so that the spices are essentially being toasted in chicken fat. I love the deep, rich flavour of this tomato based curry with its warm cinnamon sticks and aromatic cardamom pods. I leave the garlic cloves whole and treat them like a vegetable rather than slicing them up, and you could use ginger, but I don’t feel like you need it. Simmer it on a low heat for an hour or so till the chicken is falling off the bone. 

Everything was served in generous bowls at the table, with guests passing dishes and condiments to each other, sharing what combinations they liked best. The rice had been boiled with cardamom pods and caramelised onions, the carrots fried in browned butter, fresh orange juice and local honey. There was of course chutney on the table, as well as toasted almonds and chopped coriander leaves.

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Apple and Damson Pie

When we went to pick up our veg boxes from Waltham Place Farm, we had the most brilliant (and filling) lunch at the restaurant. It culminated in a stewed damson a clotted cream dessert on a cinnamon tuile. When I discovered damsons in the veg box, I decided to use them for their tartness alongside the apples in my tart. Once again cardamom and cinnamon played a role, although this time a sweet one. Mixed along with the roughly chopped fruit, sugar and potato starch, they macerated while I made the short crust pastry. With no need to blind bake, the whole thing went into a spring form tin and into the oven for an hour. We added vanilla and more of the local honey to our whipping cream, served at the table, and garnished with a cape gooseberry or physalis. We ended the dinner with a rum and chai old fashioned and any remnants of cava left over from the welcome apricot bellinis.  

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The Tableware

Limited edition serving bowls.
Minimal, textured and handmade

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Davy Pittoors is an interiors curator and dealer in objects with a special interest in queer history and domesticity.



Born in Belgium, Davy's eye for the unconventional developed during childhood trips to flea markets around the Flemish countryside, while his flair for arranging and styling spaces was honed through years working in visual merchandising at Louis Vuitton. Davy established his own business in 2018, offering one-to-one visual guidance for small creative businesses and individuals

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Curator: Davy Pittoors
Table Design: Emma MacGregor
Dinner Documentation: Holden Wright
Venue: Fauna and Flora Studios, Columbia Road, London
Playlist: Owen Duff
Menu Graphic Design: Robin Bray-Hurren
Food and Tableware: Will Martin   

Suppliers

Wine: Gays Who Wine
Honey:
Pearly Queen Honey
Vegetables:
Waltham Place Farm
Fish:
Moxon’s Fishmonger
Meat:
William Rose Butcher
Bread:
Blackbird Bakery

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